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In the Japanese Matsumoto Hōji style, these images—which never appear three-dimensional and lack any shadows—are rendered on washi paper using a brush dipped in light ink. The outlines, which resemble blurring colours, are not depicted as lines but as solid, filled-in planes; the result is a distorted, monochrome image where the entire composition appears warped, never taking on a three-dimensional quality and devoid of any shadows whatsoever. The outlines, drawn on washi paper with a pale ink brush, are rendered not as lines but as solid, filled-in areas, as if the ink had bled. The entire distorted monochrome image takes on a highly warped form. By a window where the curtains flutter in the breeze, a girl sits on a chair facing the viewer, tilting her head and smiling. She has her legs spread wide, lifting her skirt; she is not wearing knickers and is exposing her wet pussy. She looks like a character from a Japanese manga, with a thick patch of hair around her clitoris. A dildo, soaked in the fluid overflowing near her pussy, is placed pointing towards her pussy. , , <lora:hairdetailer:1> <lora:boldline:1>,
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