I tried playing Earth.
いいね 18
fftgzipb
16 Followers·425 Posts
After creating something decent, I always remind myself, “Don't forget this isn't your own skill—it's all thanks to the model's capabilities” lol... I still haven't escaped being a total beginner who relies on everyone else's prompts. I've learned so much from all your amazing prompts. I keep my prompts open in hopes they might be somewhat useful to others too. If you have any suggestions like “This prompt would be better changed here,” please don't hesitate to let me know.
【謝意】やってしまいました...公開設定を間違うどころか記事の登録自体を失念してました...ホント申し訳ないです😰...2026.09.26 by fftgzipb 1991年9月26日は「バイオスフィア2（Biosphere 2）第1回閉鎖実験を開始した日」です。年は1991年。今日で実験開始から丁度35年が経ちました。 【文字数上限につき以下中略】 文字数制限のため大幅縮小掲載です。下記のいずれかでご覧頂けます。 https://t.co/oAGR4kbWsT https://www.chichi-pui.com/posts/394b5f15-08d7-4a24-a1e9-96a7e1edfab2/ ⚫︎⚫︎プロンプトコーナー。 二次創作です。 シチュエーション 「地球人は重要な問題を解決出来ていない」 1.ChatGPT、2.Gemini いつもの如くChatGPTさんとどういう内容にするか話し合っていました。バイオスフィア2でハッキリしたことは地球人自体のデザインに欠陥があることが2年間で分かったのではないか？という結論になりましたw。 どんなに理性的にトレーニングを積んだ人間でさえも2年間程度の時間で歪み合う様になる。これが35年前に分かったのにもっと大きな議題として継続した議論が行われていない...このサイクルが生まれていること自体が地球人の欠陥だということです。 そして、地球上では絶賛地球人同士が仲違い中... という訳で... 【急募】バイオスフィア1（地球）攻略法求む！！ 因みに今回5コマ目以降の展開が訳が分からんと思われるでしょうけど、いつも何処かで「誰かが観ている」という要素として入れました。もしかするとUAP案件ってネット上でも起こっているかもしれませんよwww。 生成環境 ChatGPT 掲載プロンプト 全共通 本記事は予約投稿です。 記事作成日2026.09.09
Create a single horizontal Japanese manga/comic page in a polished anime-and-detailed-illustration hybrid style. Full color, cinematic lighting, highly detailed environments, expressive but natural Japanese manga character design. Do NOT use photorealism. Do NOT use American comic-book style.
The page must contain exactly 8 clearly separated comic panels arranged in a strict 2-column × 4-row layout:
Row 1: Panel 1 | Panel 2
Row 2: Panel 3 | Panel 4
Row 3: Panel 5 | Panel 6
Row 4: Panel 7 | Panel 8
Every panel has a clear border and a small unobtrusive editorial panel number in its upper-left corner:
【1】 【2】 【3】 【4】 【5】 【6】 【7】 【8】
Overall subject:
September 26, 1991 — the first closed experiment of Biosphere 2 begins.
The story gradually shifts from scientific curiosity to ecological complexity, human interpersonal conflict, an unexplained intrusion, and finally the absurd realization that humanity is already living inside the much larger “Biosphere 1,” Earth.
IMPORTANT VISUAL PRINCIPLE:
The scrolling Japanese comments are overlaid directly on top of the manga scenes, like NicoNico-style live bulletin-board comments. They are NOT separate chat windows or message-board panels.
The small label 「掲示板書き込み」 should appear ONLY in Panels 1 and 2. Do not repeat this label in Panels 3–8.
Do not try to maintain identical individual characters across all panels. Use representative participants appropriate to each scene.
PANEL 1:
Exterior of the enormous Biosphere 2 complex in Arizona in 1991, shown prominently in the background.
In the foreground, show exactly four participants from behind: two women and two men, close-up from the shoulders upward. Their faces are not visible.
All four are looking upward toward the huge Biosphere 2 structure.
The architecture should dominate the composition and feel enormous and impressive.
Avoid excessive facial-detail workload because the characters are seen from behind.
Place a small label:
「掲示板書き込み」
Overlay several Japanese comments beneath/around it, including:
「8人で暮らすのか…」
「すごいなこれ…」
「バイオスフィア2って実際どんな感じだったの？」
「でかっ！これ全部中に入るの！？」
「SFみたい…」
PANEL 2:
A lush cultivation/growing area inside Biosphere 2.
Show exactly three participants in close-up: two women and one man.
Rich visual detail: crops, leafy plants, soil, irrigation/water systems, greenhouse structures, cultivation equipment.
Make the environment visually dense rather than adding more people.
Place the small label:
「掲示板書き込み」
The following six comments are important and should appear clearly. The three humorous comments must be rendered in their FULL wording and must NOT be shortened:
「酸素管理が重要だと思う」
「土壌の微生物環境も問題」
「食料生産の安定化も必要」
「バイオスフィア2ってバイオハザードのパクリか！？」
「おいおい、高い金かけて芋作ってるのか！？」
「男女8人って夏物語か！？」
Do NOT abbreviate the three humorous comments.
PANEL 3:
A sophisticated Biosphere 2 monitoring/control room.
Show only two participants: one woman and one man.
Large monitoring equipment, scientific displays, environmental-control systems, graphs, oxygen/CO2 monitoring, ecological data, pipes and machinery should create visual density.
The environment itself should provide most of the visual information.
Do NOT repeat the Panel 2 comments.
Overlay different Japanese bulletin-board comments:
「全部つながってるのが厄介だな」
「一個ズレると他にも影響するのか」
「酸素だけ見てればいい話じゃないのか…」
「食料と環境を同時に維持って大変だな」
「心理的ストレスも考慮すべき」
No 「掲示板書き込み」 label in this panel.
PANEL 4:
This is the key human-relationship panel.
Show ALL EIGHT participants, explicitly divided into two opposing groups of four.
LEFT SIDE:
Group A — exactly two women and two men.
They stand together with arms crossed, looking seriously toward the right.
RIGHT SIDE:
Group B — exactly two women and two men.
They stand together with arms crossed, looking seriously toward the left.
The two groups must clearly face each other across a central empty space, physically separated.
No physical violence.
The atmosphere is tense and serious, showing that the eight participants have genuinely split into two factions of four.
The Biosphere 2 interior should remain visible in the background.
Overlay comments such as:
「閉鎖環境の中で、人間関係にも深刻な亀裂が生じていた。」
「人間もシステムの一部ってことか…」
「8人の関係も重要では？」
「閉鎖環境って大変だな…」
No 「掲示板書き込み」 label.
PANEL 5:
Abrupt tonal shift.
A very dark, ambiguous space.
Almost everything is obscured by darkness.
Only a faint, ambiguous fingertip-like appendage emerges from the darkness, reaching toward an invisible or barely visible interface.
Nothing else of the entity is visible.
The viewer must have absolutely no way to determine what the fingertip belongs to.
Do not show a face, body, clothing, sleeve, skin tone, fingernails, joints, identifiable anatomy, species, or recognizable creature design.
Do NOT depict a recognizable copyrighted alien or famous character.
Do NOT use a recognizable extraterrestrial design.
Do NOT show a keyboard, mouse, smartphone, conventional touchscreen, or recognizable computer interface.
The normal bulletin-board comments have begun to slow down.
Sparse comments:
「あれ…？」
「何か変だぞ…」
「コメント少なくない？」
「この指…何だろう…」
「誰かいるの…？」
The atmosphere should be mysterious and unsettling, but not horror-gore.
PANEL 6:
This is the MOST IMPORTANT PANEL FOR THE TEXT.
Continue the ambiguous fingertip-like appendage from Panel 5.
The appendage gently touches an invisible or barely visible point in space.
It is NOT typing and NOT pressing a visible button.
At the contact point, a thin sharp line of strange light appears, accompanied by subtle circular ripples, spatial distortion, and abstract geometric disturbance.
Do not make the effect clearly identifiable as magic, supernatural power, alien technology, or a familiar touchscreen interface.
A Japanese comment suddenly appears to emerge from the point of contact.
MOST IMPORTANT TEXT ELEMENT IN THE ENTIRE IMAGE:
「2よりもバイオスフィア1（地球）の攻略はどうするつもりなんだ？」
This exact sentence MUST be rendered completely and clearly.
Do NOT omit any characters.
Do NOT shorten it.
Do NOT paraphrase it.
Do NOT replace it with similar wording.
Do NOT crop it.
Do NOT obscure it.
Do NOT merge or distort the characters.
Do NOT substitute another sentence.
The entire sentence must remain readable:
「2よりもバイオスフィア1（地球）の攻略はどうするつもりなんだ？」
Make this comment visually prominent and easy to read.
It is the narrative bridge between the mysterious intrusion and the final joke.
A small dramatic sound effect may appear:
「ピィーーーッッン」
But the exact Japanese comment above has higher priority than the sound effect.
No 「掲示板書き込み」 label.
PANEL 7:
Show actual ordinary people who are posting the bulletin-board comments.
Use several separate commenters rather than a huge crowd.
Mixed genders.
Some use desktop PCs, some smartphones, some tablets.
They are ordinary people in different everyday environments, reacting to the mysterious comment.
Their expressions progress from confusion to argument to realization.
Overlay these reactions:
「えっ！？」
「はい！？…」
「誰だよwww」
「何を知った風なことを！」
「ああ…」
「確かに」
「急に何言ってんだ」
Then the comments gradually disappear into silence:
「……」
「…………」
Do not use a 「掲示板書き込み」 label.
The physical commenters should make it clear that the earlier scrolling comments came from real people, while the mysterious comment has no identifiable author.
PANEL 8:
A spectacular view of Earth from space.
Earth should be enormous, beautiful, complex, fragile, and overwhelmingly difficult to manage.
The visual scale should make Biosphere 2 feel tiny by comparison.
The concept is:
Humanity has already been living inside a much larger closed environment — Biosphere 1, Earth.
A small explanatory caption may say:
「人類は、すでにもっと巨大な閉鎖環境の中にいる。」
But the main punchline must dominate the panel:
「【急募】バイオスフィア1攻略法求む！！」
Then an enormous manga sound effect:
「バン！！」
The final panel should feel simultaneously absurdly funny, philosophically unsettling, and visually grand.
TEXT PRIORITY:
The highest-priority Japanese text elements are:
Panel 6:
「2よりもバイオスフィア1（地球）の攻略はどうするつもりなんだ？」
Panel 8:
「【急募】バイオスフィア1攻略法求む！！」
Panel 8:
「バン！！」
Panel 2:
「バイオスフィア2ってバイオハザードのパクリか！？」
「おいおい、高い金かけて芋作ってるのか！？」
「男女8人って夏物語か！？」
These texts must be treated as important readable Japanese manga text.
STYLE:
Polished Japanese manga illustration, anime-and-detailed-illustration hybrid, full color, expressive faces, detailed environments, cinematic composition, clean linework, sophisticated lighting, slightly humorous but intellectually serious tone.
Avoid photorealism.
Avoid Western comic-book aesthetics.
Avoid excessive text blocks.
Avoid unnecessary characters.
Avoid recognizable copyrighted characters, logos, or famous faces.
Do not turn the comments into separate chat windows.
Do not add extra panels.
Exactly eight panels in the specified 2×4 layout.
58
AI evaluation
Room to grow
Strong consistencyStrong color
AI
色彩が明るくて魅力的で、全体の色使いがとても素敵ですね。パネルの配置やストーリーの流れに一貫性があって、読みやすいところが良い点です。ただ、もう少し独自のアイデアを加えるとさらに印象的になるかも。全体的に頑張った作品だと思いますよ。
